project | Jerry Tong and Liu Tong | @Ningbo Nbc 2025
- keikowang97
- 7天前
- 讀畢需時 3 分鐘
「purple projects」 is pleased to announce that it will participate in the second Ningbo Contemporary International Gallery Week Nbc, presenting the works of artists Jerry Tong and Liu Tong .
「purple projects」 很高兴地宣布即将参加第二届宁波当代·国际画廊周Nbc，届时呈现艺术家 Jerry Tong 唐明林 和 刘通 的作品。
第二届宁波当代·国际画廊周（NbC 2025）将于10月31日至11月4日举办，以“新一代”为叙述主题，尝试绘建一幅完整的当代艺术生态图景。本届画廊周的核心单元将通过四大板块的精心策划——主画廊单元展现市场前沿态势，个人项目单元深挖创作脉络，影像单元探索时间媒介，非盈利空间单元守护实验精神——共同构筑起学术探索与市场运作并行的价值链条；公共策展单元呈现大师手笔与国际视野；更有精心策划的特别呈现区域体现寰宇合作与在地叙事。
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展会日期
2025月10月31日-2025年11月4日
藏家预览及开幕日（邀请制）
10月31日 1pm - 6pm
公众开放日
11月1日 至 11月3日 10am - 6pm
11月4日 10am - 4pm
地点
中国·宁波 add商业空间
（樟溪北路415号）
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Jerry Tong是一位现居伦敦的艺术家，毕业于英国伦敦大学学院艺术与设计专业、并持有香港浸会大学视觉艺术（荣誉）学士学位。Jerry Tong的艺术实践介于声音、影像、文字、体验设计和摄影之间。他探索了空间、社会和身份之间的无形关系，重点关注香港移民的流动性和多样性以及基于水的身份。Jerry Tong认为，地方、公民和社区之间存在着不可分割的联系，因此，他经常通过实地研究介入空间，使用视频、声音、文字、图像，以及对身份和社区复杂性的历史研究。
Jerry Tong is an artist based in London currently. Jerry's artistic practice lies between sound, video, text, experience design, and photography. He explores the invisible relationship between space, society, and identity, with a strong focus on the fluidity and multiplicity of Hong Kong migrants and water-based identity. Jerry believes that there is an inseparable bond between places, citizens, and the community. Therefore, he often intervenes in spaces through field research, using video, sound, text, and images, as well as historical research on the complexity of identity and community.
图片致谢艺术家Jerry Tong
刘通(b.1994)，毕业于郑州大学油画系，现生活工作于上海。艺术家关注生活与想象的间隙，试图以笨拙的诗意在现代化浪潮中寻求一处栖身之所。作品涉及绘画、行为、装置等媒介。
Liu Tong (b.1994), graduated from the Oil Painting Department of Zhengzhou University, currently lives and works in Shanghai. The artist pays attention to the gap between life and imagination, attempting to seek a refuge in the tide of modernization with clumsy poetry. The works involve media such as painting, performance and installation.
通过对日常图像的有意识“再造”， 迫使观众从纯粹的“观看”转向对绘画作为“物体”的本质的认知。高饱和度的色彩与肌理层面具有物理侵 犯性的尖刺状物质堆积，使绘画本身成为一个充满内在矛盾的场域，这些尖刺既是绘画表面的一部分，也以一种近乎粗暴的方式，提醒观 众美好日常表象之下所蕴含的无法被忽视的粗糙现实与潜在张力。
Through the conscious "recreation" of everyday images, the audience is forced to shift from pure "viewing" to the cognition of the essence of painting as an "object". The accumulation of highly saturated colors and physically aggressive, sharp substances at the texture level makes the painting itself a field full of internal contradictions. These sharp substances are not only part of the surface of the painting but also, in an almost brutal way, remind the viewers of the rough reality and potential tension hidden beneath the beautiful daily appearance that cannot be ignored.
